The 2022 Jensen Foundation Vocal Competition is pleased to welcome these esteemed music professionals as Preliminary Judges, hearing our auditioners May 16-19, 2022.

Kirsten Chambers, soprano, has sung the title role of Salome at the Metropolitan Opera, Opera Hong Kong, and Florida Grand Opera. Her Carnegie Hall debut was Maria in Richard Strauss’ Friedenstag with the American Symphony Orchestra. She first joined the roster of the Metropolitan Opera as a cover of Isolde in Tristan und Isolde and rejoined the Metropolitan Opera roster in the 2016-17 season for Die Walküre and to cover Marie in Wozzeck in 2019-20. She made her Indianapolis Opera debut in 2021 singing Donna Anna in Don Giovanni. Abroad, she has sung Elsa in Lohengrin with the Savonlinna Opera Festival, Opéra de Rennes, and the Hong Kong Arts Festival. Favorite engagements include Erwartung with The Orchestra Now, Strauss’ Die Ägyptische Helena with Odyssey Opera, and as the Angel in Angels in America for New York City Opera. Ms. Chambers earned degrees from Illinois Wesleyan University and the Moores School of Music at the University of Houston. Visit her website to learn more.

R. Benjamin “Ben” Leaptrott, Jr. is assistant professor of music with a specialty in collaborative arts at Brenau University and also an Artist in Residence at Brenau with The Leaptrott Trio. He is an active recitalist, vocal coach, and accompanist, serving as accompanist for the district and regional Metropolitan Opera Auditions. He earned a Bachelor’s Degree in Music from East Carolina University, a Masters of Music Degree from Eastman School of Music, and a Solo Diploma from Sweelinck Academy at the Conservatory of Amsterdam. Mr. Leaptrott is Vice President of the Fritz and Lavinia Jensen Foundation, a component fund of Foundation For The Carolinas.

Oliver Worthington, baritone, is an Assistant Professor of Music and Coordinator of the Voice Area at Butler University. He also serves as the producing director of Butler Opera Theater. He has recently been featured on recordings of Lord, How Come We Here? and Joys Abiding on Parma Recordings. He performs extensively as an opera singer, oratorio soloist, and recitalist, appearing regionally with Indianapolis Opera, South Texas Lyric Opera, San Antonio Opera, San Antonio Symphony, Hill Country Lyric, Austin Opera and Lone Star Lyric in diverse rolesn- from Eisenstein in Die Fledermaus to Mamma Agatha in Viva la Mamma. Dr. Worthington maintains a full schedule as an educator and performer, and he serves as the President of The Fritz and Lavinia Jensen Foundation, a component fund of Foundation For The Carolinas.